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August
2001: Troll Sound Monthly News
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Rosetta
Eternity
Rexrode Records
4 1/2 out of 5 stars
This
band from Lansing, MI has changed their name more
times than Sarah Jessica what's-her-name changed
outfits at last year's Video Music Awards, but their
music has always been borne from the same deep,
spiritual place.
Which makes the 11 tracks on Eternity all the more
remarkable. The band trancends its influences, and
the result is a near-masterwork that is at once
familiar and strikingly original. I still hear moments
on this disc that remind me of other artists--U2,
the Beatles, the Stones, Nine Inch Nails, Joe Walsh,
Love and Rockets, Pink Floyd, TRex, Beck, Smashing
Pumpkins, Supertramp--but Rosetta has taken what
they've heard and crafted a new, shining, beautiful
sonic world.
In the postmodern rock world, being original means
blending existing elements from the canon of rock
and pop in a new way. Any artist trying to carve
a niche for themselves struggles to say something
fresh, and by that standard, Rosetta has achieved
originality in spades here.
Eternity is a concept album of sorts, revisiting
the themes of love, happiness, spirituality, and
faith throughout. Inside the CD sleeve, the lyrics
from all the songs are printed together, in a seamless
stream of thoughts beginning and ending with the
word eternity. You almost have to go back to the
Beatles to find a record that's filled with such
positive messages--it's obvious LeRoy's faith is
strong, he loves his wife, and loves the fact that
their relationship will last for an eternity. And
with so much popular music preoccupied with cynicism,
self-absorption and self-destruction, maybe love
sweet love is just what the world needs now.
Guitarist LeRoy, bassist Jeremy Whitwam, and drummer
Jesse Draper build powerful sonic landscapes in
which to explore these themes. The results are sophisticated
pop songs that run to extremes of emotional and
textural possibility, from polished, accomplished
rockers like "Kozmonico", "Ansurilikov"
and "Monofuze"; to the tranquil, quiet
dreamscapes of "Eternity I" and "Blue".
The songs flow into one another in the same seamless
way as the lyrics on the jacket. And Rosetta has
achieved the unlikely balance of creating ear candy
that's also challenging and thought-provoking.
I've got some minor quibbles with Eternity. I would
like to have heard the band rock on one or two more
tracks, since they rock so well. There's about one
too many backward vocal snippets, and while LeRoy's
vocal sounds are lush and beautiful, there are moments
that would have benefitted from his singing more
forcefully. There's not much else to criticize.
I heard tell that CMJ recently named Rosetta one
of the 50 best unsigned bands in America. On the
strength of this disc, I'd say that's only the beginning.
- JOHN KENISTON
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